Rick
Stone
Rick Stone grew up outside of Washington D.C., and his teenage interest
in acoustic guitars and desire for a new, un-affordable-at-the-time,
instrument inspired him to build a guitar. Rick had a woodshop class
in high-school, and the shop teacher was also interested in building
an instrument. The two combined resources, and Rick built his first
guitar. He says it was a little rough around the edges, but it had a
great loud sound. Rick got the instrument-building bug, and he has been
making guitars, dulcimers, mandolins, and other stringed instruments
ever since.
Rick’s family was from Watauga County, but his folks moved north
for work in the 1930s. They would make frequent trips to the area visiting
Rick’s grandparents, and it was on one of these trips that Rick
saw his first dulcimer, at the old craft shop on “Greasy Corner.”
Rick also had a chance to visit a dulcimer exhibit at the Smithsonian
Institute in Washington D.C. He was intrigued with the variety of shapes
and styles, and the artist in him liked the personal expression the
builders could show through their instruments. Rick started building
dulcimers, and they have been his most frequently built instrument over
the years.
Rick
got a job after high school in a guitar factory in Maryland, and there
he honed in some of his luthier skills. The factory made electric guitars
modeled after Fender styles. Rick got much experience in carving fingerboards
and installing frets. But the foreman was also interested in acoustic
instruments, and he passed along advice to Rick about the craft. Rick
continued making his own instruments on his free time, including flattop
mandolins.
Rick ran a shop in Vancouver, Canada, and in Maryland, but in the mid-1970s
he moved to Watauga County, near where his parents had already returned.
Rick has continued to build many instruments out of his home in the
Aho community, including a four-string mandolin-like instrument of his
own creation that he named for hi neighborhood. The instrument takes
on a number of shapes, including the one seen here. The dulcimer also
includes a number of Rick’s designs, including an innovative free-standing
fingerboard, or staff, that is not connected to the tail piece, increasing
the instrument’s vibration and projection.
For information about getting in touch with Rick, please contact
Watauga Arts Council Folklorist, Mark Freed.
